In 1903, W.E.B. Du Bois published his classic The Souls of Black Folk where he used the sacred music of African Americans, "ten master songs," to shape the analytical foundations for interpreting their history and culture. In 1924, Du Bois expanded that analytical foundation with his lesser known but highly significant volume, The Gift of Black Folk: The Negroes in the Making of America. "The Singing Souls of Black Folk" uses Du Bois's analyses as a springboard to explore the role of African American music, sacred and secular, in the continued "making" of America and to highlight the importance of celebrating "the Arts" in the African American experience.
Cheryl Townsend Gilkes (Pronounced "Jillks") is the John D. and Catherine T. MacArthur Professor Emerita of African-American Studies and Sociology at Colby College (Waterville, Maine). An ordained Baptist minister, she is an assistant pastor for special projects at the Union Baptist Church in Cambridge, Massachusetts. She has served as visiting faculty at several seminaries and schools of divinity, most recently Chicago Theological Seminary. She will also serve as a Distinguished Professor, Community Liaison, and Research Consultant for the Hartford International University for Religion and Peace (formerly Hartford Seminary). She holds degrees in sociology from Northeastern University (B.A., M.A., Ph.D.), has pursued graduate theological studies at Boston University's School of Theology, and has received an honorary Doctor of Divinity (D. D.) from Ursinus College. In addition to her book, she has published articles in scholarly journals and edited volumes on race and ethnicity, the work of W.E.B. Du Bois, and African American religion.
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